John Watson, Curator of Musical Instruments and Conservator of Instruments, discusses the Foundation’s organized piano, which first belonged to the St. George Tucker family.
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| TranscriptJohn Watson, Curator of Musical Instruments and Conservator of Instruments, discusses the Foundation’s organized piano, which first belonged to the St. George Tucker family.
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| TranscriptChowning’s Tavern is reborn as an alehouse: a rough-and-rugged sanctuary for the colonial man in search of an ale. Listen as curator Amanda Keller and Director Department of Architectural Preservation Matt Webster describe the choices they made to re-open the doors to a more authentic past.
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| TranscriptTechnologies that used to be beyond reach for museum professionals now can lend new insights into the hidden compositions of materials, metals, and paints. Conservator Kirsten Moffitt explains how a spike on a screen can spot a fake or reveal a discovery.
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| TranscriptThe Historic Campus of the College of William and Mary had one more secret to tell, and it was a big one. Archaeologist Andy Edwards describes the surprise, and the clues that lead them to hope they’ve stumbled upon the College’s early brewhouse.
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| TranscriptJamestowne Island’s Director of Archeological Research and Interpretation Bill Kelso says that choosing which historic sites to protect from deterioration of all kinds is a matter of reading history backwards. We must consider “What are the priorities today, what are the legacies today of our history? And then look to what areas contributed.”
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| TranscriptWatching paint dry turns into a fascinating journey through time, history, science and technology when the Department of Architectural Preservation gets involved. Director Matt Webster shares the story behind the changing paint colors in the Historic Area, and why the colors you’ll see on the walls are a window to the 18th century.
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